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Star Forts: peculiar in shape, legendary in status.
Thick, towering walls protected inhabitants of forts for centuries. Everything from arrows and swords to the age of battering rams. But in the 15th century, something revolutionary came along and changed the world forever.
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You’ve seen epic forts before, but not like this.
Thick, towering walls protected civilizations for centuries. Everything from arrows and swords to the age of battering rams. But in the 15th century, something revolutionary came along and changed the world forever.
Marking the legendary birth of star forts…

Fort Bourtange, Groningen, the Netherlands (1593)
Just like in all eras of human history, defending against an enemy was important. And for centuries, traditional medieval castles, with their towering walls and battlements were ideal for protecting yourself against an invading army.
But in the 15th century, a new problem arose in warfare: gunpowder.
"There is no wall, whatever its thickness, that artillery will not destroy in only a few days.”
Now, castles proved vulnerable to the destructive power of cannon fire.
This sparked the beginning of a new era in building forts and there was no better period than the Renaissance. You had Michelangelo, who first used the idea of star forts in the groundworks of Florence.
His design was as good a geometric masterpiece, as a military one. In fact, it was revolutionary.
Instead of simple rounded or square walls, Michelangelo introduced angular bastions—sharp, diamond-shaped points jutting outward. And these weren’t just for show because they were much more important than you think…
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This design ensured that the fort would have no “dead zones,” essentially meaning that there was nowhere where enemies could take cover; this would expose the enemy to fire from all sides.
This was known as the “flanking fire” concept. By positioning bastions at angles, defenders could target attackers approaching the walls, creating interlocking fields of fire that left no area uncovered. This tactic was something completely different from medieval fortifications, which heavily relied on the sheer height of the walls alone for defense.

Palmanova (Italy): A Renaissance “ideal city” designed in the shape of a nine-pointed star. Photo by Harimao_lee
Surrounding the fortress were layers of ditches and walls, sometimes crafted to funnel enemy troops into exposed killing zones. And there were also glacis—sloping earthworks that deflected cannonballs and kept artillery at a safe distance.
But the real brilliance of the star fort lay in its ability to counter the growing power of artillery. Traditional fortresses with rounded towers and high walls crumbled under cannon fire, but Michelangelo’s design absorbed and deflected these blows.
As artillery advanced, walls needed to adapt — they became lower, thicker, and sloped to better absorb and deflect the force of cannonballs and artillery. Earthen ramps behind the walls allowed defenders to position cannons and move supplies with ease, while protected magazines ensured a steady supply of ammunition during sieges.
Yes, these forts were revolutionary, but there was a tiny problem: defending such a fort required a much larger garrison to man all the stations, so did capturing it…

The fortified town of Neuf-Brisach, Alsace, France (1697)
What started in Italy quickly spread across Europe and beyond.
By the late 1500s, the star fort had become the gold standard in military architecture, its influence reaching as far as colonial outposts in the Americas and Asia. Just to name 2 examples:
There was The Castillo de San Marcos in St. Augustine, Florida, one of the best-preserved examples of a colonial star fort, built by the Spanish in the late 17th century. It happened to use coquina, a special type of limestone that proved remarkably resilient against cannon fire.

The Castillo de San Marcos in St. Augustine, Florida, USA (1672) Photo by: tom.in.ibf
And in India, the Dutch and Portuguese constructed star forts along the coastline to protect their trading posts. In 1792, Tipu Sultan (the ruler of the Kingdom of Mysore) built his own star fort, mixing the aspects of Indian stepwells and French star forts, heavily influenced by Sébastien Le Prestre de Vauban.

Munjeerabad Fort, Karnataka, India (1792)
The 16th and 17th centuries saw the widespread adoption of star forts across Europe. The Italian Wars (1494–1559) were the first real test of these new forts. In 1500, during the defense of Pisa, the city's medieval walls began to collapse under relentless cannon fire as they were besieged by a combined Florentine and French army.
But the Pisans adapted. Behind the crumbling defenses, they constructed a sloped earthen rampart, typical of a star fort.
It worked. The Pisans won. They were able to defend much easier against an enemy that couldn’t scale its walls with ladders and was much more resistant to cannon fire.

The Battle of Scannagallo of the Italian Wars, in 1554, by Giorgio Vasari.
Venetian engineers eventually exported the design throughout the continent, influencing the construction of them across the continent. One of the most notable examples is that of the Citadel of Besançon and Saint-Malo, in France, by King François I.
There were also the Dutch, who were constantly faced with threats from both land and sea. Their extensive network of star forts, including the famous Bourtange in Groningen, showed how they became masters of this design, which allowed them to control their vital waterways and trade routes to be able to constantly supply their armies while also holding back against invasion.

Fort Bourtange, Groningen, Netherlands (1593)
Artillery and shells became much more powerful, and star forts just couldn’t keep up. By the 19th century, the tide was shifting towards polygonal forts, which were stronger as they had no bastions, which had been seen as vulnerable points in battles before.
Yet, the impact of star forts extends beyond what was achieved on the battlefield.
They are works of art.
More simply, masterpieces of engineering that became marvels of beauty from above.
Until Next Time,
World Scholar

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